Gorilla in a Cage
Concerto for Percussion and Orchestra
"Wallace has a genuine dramatic gift that keeps one watching and listening. " - Tim Page, Washington Post
Composed for Evelyn Glennie, percussion soloist
Commissioned by the Bochum Symphony
World Premiere Bochum, Germany February 1997
Conducted by Steven Sloane
American Premiere Kennedy Center Washington
National Symphony
April 1999
Leonard Slatkin conducting
French Premiere Salle Pleyel Paris
French Radio Orchestra
November 2000
Leonard Slatkin conducting
New York Premiere Carnegie Hall New York City
National Symphony
October 2001
Leonard Slatkin conducting
25 minutes
Gorilla in a Cage is dedicated to the composer's aunt Edna Freedman who died
of ovarian cancer at the time of the work's inception. The title comes from a
psychic's remarks about this same aunt two years before her death. She said,
''All I can tell you is I see the image of a gorilla in a cage. She's
fighting like mad. She's relentless, but she's not going to make it.'' It is,
however, decidedly not a requiem.
The 25 minute work opens with the soloist singing a capella. At the work's
end, she ascends a platform to sing as she plays the bass chimes. This use of
the voice acts as a bridge to the composer's operas.
Unusual instruments like
the Batonka - a two-octave set of tuned PVC tubes played with a foam slapper
- are featured alongside more traditional mallet instruments and drums.
Throughout, instruments usually associated with melody play drum-like
figures, and the drums are used for their melodic possibilities.
This work was born in discussions with conductor Steven Sloane while Wallace
was in Germany working on the European premiere of Harvey Milk. Sloane
encouraged him to compose for his orchestra and suggested Evelyn as the
soloist. Without him, this would not have been possible.
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